Vicente-Sandoval’s instrumental approach is centered on the fragility of sound and its emergence within a given space. In a concert situation she seeks to create a parodoxal presence of vulnerability and strength by testing the limits of control and unstability.

The deconstructed usage of her instrument is another central aspect of her practice. Dafne amplifies fragments through miniature microphones distributed within the instrument. This exploded version of her sound sometimes meets more conventional bassoon playing to generate aural discontinuities between the exterior and the interior, the whole and the parts, wood and electricity — a reverse-engineered emergence.

Vicente-Sandoval currently lives in Paris and works mainly everywhere else. She favours long term face-to-face collaborations within which her work keeps an integrity while holding a dialogue with that of other musicians (current projects with Klaus Filip, Bonnie Jones, Pascal Battus, Jakob Ullmann, Éliane Radigue and Klaus Lang).

Her work has appeared in contemporary music festivals (Huddersfield Contemporary Music Festival, England; Blurred Edges, Hamburg; Visiones Sonoras, Mexico), as well as in improvised music (Konfrontationen, Austria; No Idea, Texas) and sound art (Tsonami, Chile) festivals.