Franz Hautzinger (1963) studied at the Jazz department of today’s Art University in Graz from 1981 to 1983 until lip palsy forced him to take a six year total break from trumpeting. After moving to Vienna in 1986 he started in 1989 to explore the trumpet in his very own and un-academic way. He became attached to the circles around Christoph Cech and Christian Mühlbacher, played in the Big Band “Nouvelle Cuisine” and the octet “Striped Roses”; the CD “Zong of se Boboolink”, which he recorded with saxophonist Helge Hinteregger and which was influenced by sampler collages was the first personal CD statement. His 10 month stay in London provided new ideas and contacts, amongst others Kenny Wheeler, Henry Lowther, John Russel, and Steve Noble. Hautzinger assimilated the stimuli in very different ways: in „Regenorchester“ („Rain Orchestra“) with its changing instrumentation, in the quartet with Helge Hinteregger, Oren Marshall and Steve Noble as well as in the trio “Speakers’ Corner” with guitarist Martin Siewert and drummer Wolfgang Reisinger. The conscious decision to avoid electronic sound sources but to still comprehend the development of digital music on the trumpet - the quarter tone trumpet purchased in 1997 - were decisive stages for the creation of Franz Hautzinger’s sensational solo trumpet CD “Gomberg” (2000) on which he presented this new until then unheard cosmos of sound that he had developed on his instrument. Hautzinger positioned himself with “Gomberg” at the front line of the international improvisation avant-garde; collaborations and CD records with Derek Bailey, the “AMM” veterans Keith Rowe and John Tilbury as well as Axel Dörner, Christian Fennesz or Otomo Yoshihide, and Sachiko M followed. The step into the world of decelerated sound microscopy and from 2003 on the re-discovery of musical sensualism, the confrontation of his trumpet sounds with groove and tunes (“Regenorchester XI” and XII) can be considered as important stages in his development. Franz Hautzinger teaches at the Vienna Music University since 1989, is a member of the Berliner Ensemble “Zeitkratzer” since 1999 and received comissions from Klangforum Vienna amongst others. He is a globetrotter whose unmistakeable musical signature is known from Vienna to Berlin, London to Beirut, or in Tokyo, New York, and Chicago. Franz Hautzinger has shown that even in times where postmodernism is history an instrument can still be reinvented. (Andreas Felber, translated by Astrid Donaubauer)
Isabelle Duthoit studies classical music in the Conservatoire National Superieur de Musique de Lyon, and soon, she moves towards contemporain music, and works with composers. She finds her way with free improvise music and she creates projects as Triolid, Trio Canape (with photo and phonography) Fogo (rock band). She is a member of Six, Hiatus (experimental band plays contemporain and improve music) , Sol (free jazz rock) , she plays with Jacques Demierre, Jacques Di Donato. She learns by herself to sing and she has a particular voice, like a language before language, a sing without words. She has a duet with Phil Minton and a solo. In 2008 she’s resident at the Villa Kujoyama in Kyoto (Japan) and she works with Nô and Bunraku singers. Untill 1995 and 2005 she creates the festival Fruits de Mhere with Jacques Di Donato, festival for experimental music, dance, cinema.... Since 1997, she is a clarinet and improvisation teacher in the Evry Music School (Essone France)
The concert and the workshop are supported by Austrian cultural forum in Prague, French institute in Prague and Radio 1.
