AN ARCHEOLOGY AND FUTURE OF MOVING PICTURES
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| Gert Aerdse | |
Jiři Hoskovec | ||
| Jaroslav Anděl | |
Christian Huebler | ||
| Roy Ascott | |
Prof. Erkki Huhtamo | ||
| Guy van Belle | |
Ryszard W. Kluszczynski | ||
| Michael Bielicky | |
Richard Kriesche | ||
| Bohuslav Blažek | |
Werner Nekes | ||
| Wolfgang Bock | |
Miklos Peternak | ||
| Dieter Daniels | |
Rolf Pixley | ||
| Erik Davis | |
Liz Rymland | ||
| Doc. Jiři Fiala | |
Claudia Schmacke | ||
| Richard Grusin | |
Barbara Maria Stafford | ||
| Tom Gunning | |
Mirek Vodrážka | ||
| Ivan M. Havel | Siegfried Zielinski |
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| Dieter Daniels Art Historian, MediaTheorist Professor für Kunstgeschichte und Medientheorie |
Hochschule fuer Buchunst und Graphik Wächterstraße 11 04107 Leipzig phone (03 41) 21 35-0 Fax (03 41) 21 35-166 |
[ http://www.hgb-leipzig.de/theorie/xxjahre_daniels.html ] | ||
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Media as continuation of
art by other means, S. F. B. Morse and J. L. M. Daguerre 1839
Telegraphy and photography are the starting points
for everything called today "new media" - ranging from TV to the
internet. S. F. B. Morse and J. L. M. Daguerre where artists, which
stoped painting and became famous as inventors of telegraphy and
photography. What does that mean for the common ground of art and
media in todays perspective?
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