AN ARCHEOLOGY AND FUTURE OF MOVING PICTURES
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J. E. Purkyně |
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| Gert Aerdse | |
Jiři Hoskovec | ||
| Jaroslav Anděl | |
Christian Huebler | ||
| Roy Ascott | |
Prof. Erkki Huhtamo | ||
| Guy van Belle | |
Ryszard W. Kluszczynski | ||
| Michael Bielicky | |
Richard Kriesche | ||
| Bohuslav Blažek | |
Werner Nekes | ||
| Wolfgang Bock | |
Miklos Peternak | ||
| Dieter Daniels | |
Rolf Pixley | ||
| Erik Davis | |
Liz Rymland | ||
| Doc. Jiři Fiala | |
Claudia Schmacke | ||
| Richard Grusin | |
Barbara Maria Stafford | ||
| Tom Gunning | |
Mirek Vodrážka | ||
| Ivan M. Havel | Siegfried Zielinski |
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Richard Kriesche |
Trauttmansdorffg.1 8010 Graz Austria |
richard.kriesche@stmk.gv.at |
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| Up until now, we have been confronted
with the creation of a machine-based environment outside ourselves.
Now we are faced with the info-based environment inside ourselves,
with the creation of a self, interfacing our own inner-world with
the outer, with the creation of a cybernetic organism. (to quote Donna
Haraway: with a cyborg.) This is the search of the eternal 'meta-individual,'
which the eremites in the desert of Syria, the monks in Christian
monasteries were striving for, it has been the struggle for a one-ness
combined with the whole-ness. socially alone, mentally united, technologically
omnipresent. this is the fresh new field of dialectic action for a
true information-based art. I will present "datawork:man"-a science-art
project in the realm of the genomic revolution- the new arising interrelationship
between science and art, technology and information on the basis of
the fundamental biogenetic constituents in the biosphere, the DNA.
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