EXCAVATING THE FUTURE:
AN ARCHEOLOGY AND FUTURE OF MOVING PICTURES



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Gert Aerdse Jiři Hoskovec    
Jaroslav Anděl Christian Huebler    
Roy Ascott Prof. Erkki Huhtamo    
Guy van Belle Ryszard W. Kluszczynski    
Michael Bielicky Richard Kriesche    
Bohuslav Blažek Werner Nekes    
Wolfgang Bock Miklos Peternak    
Dieter Daniels Rolf Pixley    
Erik Davis Liz Rymland    
Doc. Jiři Fiala Claudia Schmacke    
Richard Grusin Barbara Maria Stafford    
Tom Gunning Mirek Vodrážka    
Ivan M. Havel   Siegfried Zielinski


   

 

Christian Huebler

 

Knowbotic Research
Swiss-German Media Collective
Klosbachstrasse 45
8032 Zürich
phone / fax: 41-1-2616412


krcf@khm.de
huebler@hgkz.ch

[ http://www.krcf.org ]

Knowbotic Research, KR+cF (Yvonne Wilhelm, Alexander Tuchacek, Christian Huebler); was established in 1991, and since then the media art group has been experimenting with formations of information, interface and networked agency. Their more recent projects present artistic practice with media as an attempt to find viable forms of intervention in the new public domain. Since 98 KR+cF is teaching New Media at University of Art and Design Zurich. KR+cF has got major international Awards. (Hermann Claasen Prize for Media-art and Photography 2001, internat. Media-art award ZKM Karlsruhe 2000 and 1997; August Seeling-Award of Wilhelm Lehmbruck Museum 97, Prix Ars Electronica, Golden Nica 94 and 98). latest project "Mental imMigration" - a collective networked environment which allows on a playful level experiental approaches to new forms of global teleworking.

Reclaiming public domain as sites of constructive conflicts Possibilities for public actions are on the decrease where symbolical representation, mediated participation and the equation of consumption and democracy, have replaced a sense of active presence and involvement in public matters, and where being in public is identified with potential illegality on the one hand, and with the danger of personal harm on the other. Media technologies with all its universalising and security demanding mechanisms undermine the essence of the public domain as a zone of uncontrollability. But the instability of the public domain is the condition of its active potential. Reclaiming public domains as sites of constructive conflict and developing forms of connective agency for the instable intersections of virtual and physical public environments are therefore imperatives of the current situation.