Diana Lelonek is a visual artist who combines photography, installation art, and bio-art.

Mateja Pavlic is a curator, art historian, cultural manager and translator whose central interest is Czech experimental poetry and Eastern European visual poetry.

Martin Howse will present the new work Particles, the background behind it, and talk about his collaboration during his Agosto Foundation residency with director Johana Ožvold on the feature film Pilgrim.

Prague Improvisation Orchestra (PIO), Studio Alta and Agosto Foundation present three days of concerts, sound art, video, electronic music, and sound/movement improvisation in the unique setting of Prague’s Invalidovna.

For the 4th annual Perpedes grant program, the foundation received a total of 54 nominations. The selection process took place in two rounds, resulting in the selection of 10 projects for grant support. The Foundation will support the selected associations or initiatives with a total sum of 700,000 CZK, each project receiving 70,000 CZK.

Unfortunately, we can't control the weather. So because the sun did not shine over Liepaja on Monday, we are postponing the event to Sunday 5 July. We cordially invite you to attend the performance and live stream on Paula Vitola’s youtube channel as part of her Agosto Foundation artist residency.

You are cordially invited to the next event of the Bio Troja program in the gardens of Troja Château. This time, the focus is on the subject of art, entomology, and the mysterious world of moths, butterflies, and beetles.

Our current artist-in-residence, curator Borbála Soós, invites us on a journey in the form of an on-line performance lecture using Zoom teleconferencing.

Paula Vitola is a Latvian intermedia artist based in Riga and Liepāja, mainly interested in art as research, art and science and media archeology.

A 24-hour broadcast of the dawn chorus of birdsong around the world from 5 AM London time (UTC 0+1) Saturday, 2 May to 6 AM Sunday, 3 May 2020.

Apparently, things started off dismal and grey. The main motives for the 8jinak! association came about from the controversial construction of a new town hall at Palmovka, the fates of the constructivist monument Palác Svět and the Libeň bridge, and the overall urbanist development planning in Prague’s 8th District. But the association eventually started enjoying the work they were doing on behalf of the neighborhood. They have organized exhibitions, screenings, workshops and open-air concerts for their fellow citizens, and have also developed an experimental film program that is community-oriented and locally inspired. By collecting and digitalizing historical analog films, they are working towards preserving the visual memory of Prague 8. In this interview, we speak with Pavlína Kalandrová, a member of the 8jinak! association.

The St. Havel Gallery in Mladá Boleslav had its first exhibition in 2017 as part of the Noc Kostelů (Night of Churches). The initial impulse came from the availability of an unused cultural space which would be independent from the city. The motivation was to introduce a distinct alternative to the operation of the city’s cultural centers. This interview took place on 28 January, 2020 with Jonatan Hudec, Martin Herold and Jiří Dalecký who run the St. Havel Gallery.

Za Opavu – “For Opava” – is a long-running association that can be described as a multifaceted organizer of local cultural and social life in the Opava region. Its central goals are the protection of cultural patrimony, the environment and healthy living conditions in the city of Opava and its surroundings. The members of the group actively work as political cultural opposition to city leadership, offering cultural commentary on Opava and its regional planning.

The Perpedes Grant Program fosters a closer connection between artistic and cultural activities, and the daily lives of various social strata and communities, on both local and regional scales.

As part of its grant program Perpedes, the Agosto Foundation requests nominations from the general public for the support of the activities of individual artists, as well as for artistic or cultural projects.

Kazakhstan / Germany, 2016, 88 minDirector: Katerina SuvorovaCinematography: Eugen SchlegelProducers: Sain Gabdullin, Stefan Grobe and Anna Vilgelmi, KINO Company StudioLanguage: Russian / Kazakh with English subtitles

We would cordially like to invite the public to a launch of a new anthology of essays called Speculative Ecologies: Plotting Through the Mesh (Litteraria Pragensia Books, 2019). The evening will feature lectures and a live podcast.  

Trajna is a collective set up by the design duo Gaja Mežnarić Osole and Andrej Koruza. Also participating will be special guests RNDr. Jiří Sádlo, CSc. and PhD. RNDr. Kateřina Štajerová.

Lithuania / Estonia / Germany, 2017, 85 min.Direction, camera: Mindaugas SurvilaScenario: Gintė Zulyte, Mindaugas SurvilaEditing: Danielius KokanauskisSound: Mindaugas Survila, Ginte Zulyte, Radvile SumileProducers: Mindaugas Survila, Ginte Zulyte, Radvile SumileNo commentary

A concert programme based on Broken Music, a project by Milan Knížák from the early 1960s.

Borbála Soós is a Hungarian curator and art historian based in London.

Happily, we have been able to re-schedule this screening, which had to be cancelled earlier this year due to the state of emergency of COVID-19. Please re-join us at Cinema Ponrepo for our return to the silver screen.

Trajna is a non-governmental organisation and a collective lead by the design duo Gaja Mežnarić Osole and Andrej Koruza, who work in the fields of design, ecology and participation.

High ceilings, huge windows, original hardwood floors – the grandiose proportions are supported by a functional minimalism which immediately draws the visitor’s attention. We are on the third floor of a former textile plant in Rožnov pod Radhoštěm. Local firm Henkai Architects has transformed it into a complex of studios, workshops and offices for creative individuals and small artistic collectives. The marriage of the architects’ vision, coupled with the generous attitude of the current owner, has given the city a new, vibrant space, perfect for exhibitions and for networking for the local arts community. We talked with Vendula Tůmová, one of the main people in charge of the informal 3. Etáž (Third Floor) collective, about what it means to create and support local alternative culture.

Bucharest based artists Anca Benera and Arnold Estefán work in a range of media spanning installation, drawing, video, and performance.⁓Simona Gottierová is a multimedia artist and was awarded the Startpoint Prize in 2018 for European students.

Ida Hiršenfelder is an archivist and sound artist based in Ljubljana. She is interested in the history of media, archives and their disappearance, media archeology, and the philosophy of temporality. In the context of sound art, she is specifically interested in bioacoustics and microtonal music. She composes experimental soundscapes with the use of analogue electronics, field recordings, and computer manipulations. She performs under the alias beepblip.

Gallery Na shledanou (“The Good-bye Gallery”) is located in the south Bohemian town of Volyně in the Malšička cemetery in a gallery building that was intended to serve as a funeral hall. The gallery focuses on contemporary art with an emphasis on site-specific art as well as the finality of human life. In this interview, Radoslava Schmelzová sits down with curator and art historian and Jan Freiberg to discuss the various challenges and outcomes of the project.

Martin Howse is a British programmer, writer, performer, artist and explorer, working in the fields of discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions).

Prague Improvisation Orchestra performs using Adapt/Oppose, a graphic score system for improvisers created by Agosto Foundation artist-in-residence Burkhard Beins.

Sound is a medium which connects all animate and inanimate objects in the world into a network of relationships. While in the past, sound’s fleeting nature discouraged many from diving deeper into its complexities, the sheer fascination with sound of many avant-garde artists and adventurous scholars, along with the development of sound recording technologies, have greatly contributed to the increased interest in sound over the last 50 years.